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Part one, WOLFGANG
 | takes you on a journey through 14 millennia with Mozart as your
guide. |
| overturns all traditionally-held concepts and boldly traces the
outermost consequences of reincarnation. |
| uses memory as a tool for historical research and recreates
events which took place thousands of years before our own era in
ancient cultures such as Atlantis, Egypt and Central America. |
| solves the enigma of Mozart’s death, and reveals the pattern of
reality lying behind the operas Don Giovanni and The
Magic Flute. |
| reassembles the threads of European cultural history to form a
totally different but startlingly obvious design. For example, what
really happened when Moses led the Hebrews across the Red Sea? |
| links together Tolkien’s Lord of The Rings and Wagner’s Ring of the Nibelung with remarkable consequences for both
works. |
| offers, as a result, the first logically and completely coherent
interpretation of Wagner’s mighty Ring. |
| solves the riddle of The Great Pyramid by describing Wolfgang’s
solitary ordeal therein some 6,000 years B.C. |
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Part two, THE RING AND THE PYRAMID
| brings to completion and resolves the
web of intrigues presented in the first part. |
| exposes "The Cursed Ring" – the
binding link between Wagner’s and Tolkien’s works – as a totally
destructive mechanism capable of blocking the entire system of human
consciousness. |
| describes in detail how The Great
Pyramid in every sense is a model of human consciousness. |
| uses straightforward language with a
generous dash of down-to-earth humour. |
| presents the hitherto most extensive, precise
and demystified description of Man’s consciousness, describing
the logic behind the so-called chakra system. |
| explains clearly and logically the
facts about reincarnation and how it takes place. |
| shows that dream language, myth language, music and geometry all stem from the same source when perceived
from the four-dimensional plane. |
| enables the reader to pass through a
personal age-old initiation ceremony by the process of reading the book. |
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